Tuesday, March 22, 2011

One of the most treasured networks: The Silk Road


 After a visit to the Traveling the Silk Road: Ancient Pathway to the Modern World exhibition at the ArtScience Museum, I am in the humble opinion that the Silk Road is perhaps one of the most treasured networks in history. Perhaps like today's Facebook, the Silk Road has in many ways facilitated people of various cultures and religions to interact and connect with one another. The sharing of technologies and knowledge amongst the various cultures was also facilitated through the Silk Road.


Many thanks to the ArtScience Museum, the National Heritage Board and Mr Shaun Wong, I was invited to a special guided tour and a complimentary visit to the ArtScience Museum on 20 Mar 2011. Other than the special guided tour by one of the museum's personnel, I have had the privilege to participate in the "Discovery Tour by Curator – Silk Road" by Professor Morris Rossabi, historian of China and Central Asia at Columbia University.


The Silk Road is "an extensive interconnected network of trade routes across the Asian continent connecting East, South, and Western Asia with the Mediterranean world, as well as North and Northeast Africa and Europe" (source: wikipedia). Although, silk was one of the more lucractive commodities that was traded along the Silk Road, items such as fabrics, medicines, perfume and spices were exchanged along this extensive network as well.  I was curious to learn about this network such that when I was at the Traveling the Silk Road, I could not help but to spend my time looking at maps and more maps. I wished I could have a bit more time to scrutinise the maps, however.


For this exhibition, the American Museum of Natural History which has organised the exhibition has selected four cities to focus attention on. These four cities are: Xi-an, Turfan, Baghdad and Samarkand. I learnt that Turfan is such a hot place that most people there prefer to trade at night when the sun was down. It was interesting to learn that Baghdad was founded in AD 762. Baghdad was the capital of the Islamic world. Many people travelled to Baghdad for the purpose of commerce and of acquiring knowledge. I wonder what it would be like if I were to visit it one day?


The technologies of making Chinese silk and paper, the Turfan's artifical underground river system known as the "karez" and the astrolabe also captured a good fraction of my attention. The explanatory notes on these technologies were rather simple for a lay-person to understand.

I learnt that the Chinese had closely guarded the secrets behind the technologies of making silk and paper. However, since one of mankind's motivations is to learn, specifically to learn the best available ways to meet some of mankind's needs, it was just a matter of time before other cultures learnt about the Chinese secrets of making silk and paper.


Visitors to this exhibition will find many of the exhibits very interactive. Children visiting this exhibition are unlikely to be disappointed either. There is an interactive Silk Road map whereby visitors can learn about the links among cultures and technology along the Silk Road.


There is a working model of an Islamic astrolabe whereby one could attempt to determine the time with the help of the position of the embedded "stars". I had tried my hands on using the astrolabe and I think it worked like a super-computer of the ancient world. It was quite a challenge for me to use it with precision.


For visitors with keen sense of smell, they could have the chance to sniff the fragrance of various essential oils that were commonly traded along the Silk Road. My favourite was the rose oil. I wonder what your favourite would be?


I was also intrigued by the interactive section on Chinese music instruments where I could recreate the sounds of some traditional instruments. With a press of one of the buttons, I could listen to the electronically pre-recorded sound of a specified instrument. If a visitor were to press on all the buttons, Voila! he would hear an ensemble playing away.


The last section of the exhibition discusses about the maritime Silk Road routes. Visitors could even catch a glimpse of a full-sized model of a 71-foot long Arab sailing ship called the dhow. I have learnt that a "dhow" is a light-weight boat.


One particular statement that was made by Professor Rossabi during the tour by the curator that had remained in my mind was that the cultural significance of the Silk Road far exceeds its economic significance. The Silk Road provided the network and the environment for people of various cultures to share and exchange culturally.

Interestingly, many of the people travelled along the Silk Road not to promote their culture. It appears that one of the main motivations for people to travel the long and gruelling distances of the Silk Road was to earn more money. To gain an appreciation, please imagine how people would so willingly pay for exotic goods from far-away lands at a high premium. Of course, there were others who had travelled in search of knowledge. There were also pilgrims, for example the Buddhist monk Xuanzang, who had travelled long distances along the Silk Road to acquire deeper religious understanding.


What can our modern society learn from this century-old special network called the Silk Road? I suppose some of the most important values that we can learn from Silk Road are tolerance, respect and open-mindedness. Tolerance and respect could make room for different cultural beliefs and practices to co-exist in harmony with one another. On the other hand, open-mindedness allow one to be open to learn from another culture that could be different from one's own.


The Traveling the Silk Road: Ancient Pathway to the Modern World exhibition at the ArtScience Museum, Singapore will end this coming weekend, on 27 Mar 2011. 

Tickets are priced at $30 per adult and $17 per child (2 - 12 years old). The ArtScience Museum's operating hours are from 10 a.m. - 10 p.m. with the last admission at 9 p.m.

I have learnt from a few fellow visitors that reentry to the museum (even on the same day) would require a purchase of a new ticket! Please trust that many visitors have given feedback to the museum to request for same-day reentry to be allowed. As for the ticket price, I would suggest a concessionary rate for all students  who can produce the necessary proof of identity, even if they visit the museum as an individual (and not part of a school group). Afterall, I see museums as institutions that encourage learning, and it will make good sense that museums perform their social mission well by making it affordable for students to visit and to learn at the museums.

On the whole, The Traveling the Silk Road: Ancient Pathway to the Modern World is an exhibition with many interactive and interesting exhibits. While I acknowledge that the admission price could be made less exclusive, I would still recommend this exhibition for anyone who would like to learn more about the Silk Road but for some reasons may not be able to visit the cities along Silk Road in the immediate future. Each ticket to the ArtScience Museum still works out to be considerably less than the cost of a plane ticket to most places.

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ArtScience Museum
Marina Bay Sands, Singapore
10 Bayfront Avenue, Singapore 018956

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Related posts by other authors:
The Silk, Sunken and Spears - Chapter One by Urban Explorers of Singapore.
Sponsored Event: Trip to ArtScience Museum at Marina Bay Sands on Sunday, 20 March 2011 by Jade Isabelle.
A day at the ArtScience Museum by Nur Shakylla Nadhra.

Tuesday, March 08, 2011

A visit to the Thow Kwang Dragon Kiln Firing event 2011

Image credit: Carolyn Lim

Did you know that somewhere in this urban island, lie one of the last two surviving dragon kilns in Singapore? Would this rare surviving dragon kiln survive in a rapidly changing world where at times heritage from the past disappear in the name of progress?

I learnt that it was a rare occasion that the Thow Kwang Dragon Kiln would fire the entire kiln from 25 - 27 Feb 2011. This was possibly the first time since the 1980s that the entire kiln was fired. In conjunction with the firing event, Thow Kwang Pottery Jungle organised a guided tour for visitors who are keen to learn a bit more about the dragon kiln.

Image credit: Carolyn Lim

The dragon kiln was located at Thow Kwang Industry Pte Ltd, 85 Lorong Tawas (off Jalan Bahar). I did not drive and had to rely on public transport to get to the dragon kiln for the first time in my life. The nearest MRT station, I have concluded, was Boon Lay MRT station. I decided to take a taxi from Boon Lay MRT station as I wanted to be punctual for the guided tour that would start at 8 p.m. The driver of the first taxi that I had flagged declined to take me there on the grounds that he did not know where it is. Thankfully, the driver of the second taxi was willing to find out how to get to the Thow Kwang Dragon Kiln. After figuring his way there, he shared with me that I could, in future, tell taxi driver that I want to go to the part off Jalan Bahar where there is a giant-sized vase. That would be approximately near the mouth of Lorong Tawas.


When I reached the Thow Kwang Pottery Jungle, I was welcome by a source of bright light and warm heat from the mouth of dragon kiln. It was a source of light that one could simply not miss. I saw a lady who diligently placed wood pieces into the mouth of the dragon kiln. I felt a sense of respect for the people behind the Thow Kwang Pottery Jungle who have taken the time and effort to keep the dragon kiln and the traditional art of wood firing alive.


At 8 p.m., one of the Thow Kwang Clay Artists, Carolyn, gave visitors an educational presentation about the dragon firing and the process of wood firing. I learnt that many decades ago, there were several other dragon kilns in the nearby vicinity. This was because white clay, one of the raw materials for the pottery/ ceramic industry, was easily available in the vicinity.

I learnt about some of the products that used to be produced using the dragon kiln of the Thow Kwang Pottery Jungle. One of which was the latex cup that you would see right below that was used to contain latex from rubber trees of the rubber plantations.


Victor Koo, fellow heritage-bloggers of Yesterday.sg, had written a good post entitled A Visit to the Firing Thow Kwang Dragon Kiln in 2008 that outlines the history of the Thow Kwang Dragon Kiln. From this post, I learnt that the Thow Kwang Dragon Kiln was built in 1940 and was brought over by Mr Tan Kin Seh in 1965. By 1985, there were developments of residential and industrial facilities in the Jurong area. Many of the family-owned ceramic businesses were forced to shut down. I learnt that there are only two surviving dragon kilns in Singapore, Thow Kwang and Guan Huat Porcelain Factory. It seemed that Guan Huat's dragon kiln has ceased operations as it has moved away from ceramic production. If this is the case, Thow Kwang Dragon Kiln is possibly the only dragon kiln in Singapore which firing still take place.


During the guided tour, our dedicated tour guide pointed me to a kicking wheel. This kicking wheel works like a throwing wheel except that one has to kick it to spin it. This requires skill. The kicking wheel was of a considerably large dimension. I was told that it was used to make large ceramics.


During the tour, I was also introduced to the Pyrometric Cones. These were used to gauge the temperature during the firing of the kiln. "The cones, often used in sets of three, are positioned in a kiln with the wares to be fired. These cones provide a visual indication of when the wares have reached a required state of maturity, a combination of time and temperature."


During my visit to the Thow Kwang Dragon Kiln firing event, I also learnt that during the woodfiring, salt are thrown into the kiln through the "stoke-holes". As best as I understand, the stock-holes are openings that the kiln operator could use during firing for observation and for the feeding of wood fuel. When salt is thrown into the stoke-holes, the high temperature of the kiln causes some form of chemical changes in the salt and the constituents of the salt could eventually coat themselves as a form of glaze onto some of the ceramics.

I had the privilege to see members who have organised the firing event wrap sea-salt using newspapers. I was told that when the salt is wrapped into newspapers, it makes it easier for a considerable quantity of salt to be thrown into the kiln at any one time.



One question that has bugged me since the day that I visited the dragon kiln was: Decades later, would people in Singapore still be able to have the privilege to see a dragon kiln in action?

I learnt that the very piece of land on which Thow Kwang Dragon Kiln sits is on lease from the government. No one exactly knows what its fate would be in decades to come. Like some of the gun positions that used to sit in Labrador Park, would the dragon kiln face destruction and removal because the key decision-makers in the authorities fail to recognise its significance? Already, there seem to be plans by the authorities to recall the parts of the area where the beautiful banyan trees sit.

Then again, I am reminded of the heart-warming story of how The Rocks in historic Sydney was preserved for generations to come, thanks to a proactive community who had rallied against the demolition of the original structures at The Rocks. Perhaps the dragon kiln could survive, if there is enough people to support it to continue to exist. A good local example was Chek Jawa which was facing reclamation in 2001 but thanks to petitions from volunteers, the authorities agreed to leave the Chek Jawa area untouched for the subsequent ten years.

While I cannot consider myself a ceramics enthuasiast nor an active user of any kiln (except that I had used an electronic kiln to fire some ceramics when I was a teenager learning art), I hope that the traditional art of woodfiring and the only operating dragon kiln in Singapore would continue to thrive for generations to come. Perhaps somewhere down in history, someone may benefit from this very art that could survive against all the odds.


As such, I shall end this post with a photograph of a Banyan tree that sits just at the entrance to Thow Kwang Pottery Jungle. I hope that I could still see this very tree standing tall and strong many years later.

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Thow Kwang Industry Pte Ltd
85 Lorong Tawas (off Jalan Bahar)
Singapore 639823
(Please click here for the map.)

How to get there by public transport:
Take MRT to Boon Lay Station. Take bus service 199 at the bus interchange. Alight the bus stop after the PIE flyover along Jalan Bahar, just before the turn to Nanyang Avenue (NTU). You can see a road on the left side with huge pots at the corner before the bus stop. Walk towards that road.It will be a 10 minute walk into Thow Kwang.


Check the bus route here: http://www.sbstransit.com.sg/transport/trpt_bus_timetable.aspx

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Please also see these other related sites written by other contributors:
http://thowkwangclayartists.wordpress.com 
http://victorkoo.blogspot.com/2008/11/visit-to-firing-thow-kwang-dragon-kiln.html
http://www.marthastewart.com/article/tk-pottery#related_list_video

Wednesday, January 12, 2011

Adventures at OH! Open House


Thanks to a series of network via Facebook, I got to learn about OH! Open House last weekend. Initially, I was rather hesitant whether to attend OH! Open House. Afterall, the east region of Singapore is fairly out of the way for me. Then again, I figured that it would be a special experience for me. As such, I took a bus and travelled slightly less than an hour to get to Marine Parade Community Club where the tour would begin.

I was feeling thankful that I had got myself a ticket to one of the OH! Open House tours. When it was time for the tour to start, I was feeling excited and was looking forward to see art in people's homes. It felt like art would be brought into the homes. Inspirations from art would soon transform the familiar dwelling spaces into creative spaces.


Off we went on our art walkabout. On our way to the first home, we heard some ghost stories. That seemed to be the opening to one of the works that we would get to see at our first destination. As I walked past the public housing which we fondly refer to as the HDB (Housing & Development Board) flats, I could imagine a fairly strong community spirit lingering in the Marine Parade estate.


I saw a number of interesting works at the five different homes whose owners have so kindly opened their homes to the OH! Open House event. Many of the artworks seem to take into consideration of the spaces of the owners' home and of the owners' personalities.

I was particularly intrigued with the eulogies. There was an eulogy in each and every home. The eulogies me made wonder how I would like my own eulogy to be if I were to leave this world. I suppose if I would like to have my eulogy written the way I would like it to, I would have to be living my life meaningfully first. That somehow reminded me if we are preparing to die meaningfully, we have to first start by living our lives meaningfully.


I was also pretty captivated by Mark Wong's sound installations at some of the homes. The sound installations somehow seemed to transport me into Mark Wong's interpretation of the vibes and persona of the owners of the homes. I would only wish I had a bit more time to listen to his sound installations because before most of the time I would be reminded by our dedicated tour guide that it was time to visit the next house. Music and sounds, admittedly, do require some time to appreciate.


Teng Yen Lin's works were pretty interesting to me too. I simply like the ways she play with lines and perception. I have also found the last work to be viewed during the tour, Angel, by Clare Marie Ryan and Marc Gabriel Loh to be a thoughtfully conceptualised installation. I like most of the artworks that were being showcased at the OH! Open House. Some of the most interesting works at this event are best seen in person. As such, I have decided not to show too many photographs of the OH! Open House. Afterall, it is better to attend OH! Open House to experience art in the familiar homes in the heartlands than to look at photographs of the event.

OH! Open House is not just about art and more art. The tour also offered a glimpse to the social history of Marine Parade. I learnt about the dolphin mascot of Marine Parade and saw a number of them! I also found out where the first Bengawan Solo in Singapore is located. I have found out that there is this website that offers an insider's scoop on Marine Parade: http://www.ohmarineparade.blogspot.com.


Each tour takes approximately 1.5 hours. Please do wear comfortable shoes that can taken off easily. Respect the house rules, the owners and the guides. Last but not the least, be inspired by the art!

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OH! Open House 2011 is held on 8, 9, 15 and 16 Jan 2011. Each tour ticket costs $10. Tickets to the event can be purchased from Marine Parade Community Club, located at 278 Marine Parade Road.

The first OH! Open House tour for each day starts at 4 p.m. The last ticket sales is at 7 p.m. The houses close at 8 p.m.

This event is supported under the National Heritage Board’s Heritage Industry Incentive Programme (HI2P).

Sunday, September 05, 2010

RestART


A few days ago, I attended The Yellow Ribbon Community Art Exhibition. This year's exhibition is based on the theme "RestART", which is also an acronymn for REsilience, Self-Awareness, Transformation, Adaptability, Reintegration into The Community. The artworks featured in this exhibition expresses the participants' interpretations of the theme.

Read about my visit to the exhibition here: Yellow Ribbon Community Art Exhibition

Yellow Ribbon Communtiy Art Exhibition, "RESTART"
1 to 14 September 2010

Opening Hours:
10 a.m. to 7 p.m. (Mon to Sun)
10 a.m. to 9 p.m. (Fri)

Venue:
Singapore Art Museum

Free admission
(Museum admision applies for entry into other galleries)