Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Sunday, February 08, 2015

Ju Ming Taichi Series, Monumental Outdoor Exhibition at Singapore Botanic Gardens.

Ju Ming's Taichi Series - Preparation for Underarm strike,1985. Bronze.

Ju Ming Taichi Series, Monumental Outdoor Exhibition 
Singapore Botanic Gardens, Bukit Timah Core 
17 Jan 2015 -16 Apr 2015 
Extended till 31 May 2015
Free admission 

The artworks by Ju Ming have always fascinated me. He is arguably Taiwan's most influential sculptor. Born in 1938, Ju Ming attained fame in Taiwan in the 1970s and in New York in 1983.

Ju Ming's Taichi Series, 1994. Bronze.


Back in the year 2004, I have had the pleasure to see and experience a number of his sculptures at various location in Singapore. The brilliant colours of his "Living World" series caught my attention immediately. It was however his "Taichi" series that I have found intriguing and more innovative. When I learnt that Ju Ming's Taichi series would be exhibited in the Singapore Botanic Gardens, I planned and made time to check out the Ju Ming Taichi Series Monumental Outdoor Exhibition.

Ju Ming's Taichi Series - Taichi Arch, 2000. Bronze.

This monumental outdoor exhibition will feature fifteen of Ju Ming's bronze masterpieces from the Taichi Series, set within the landscaped outdoor spaces of the Singapore Botanic Gardens.

I enjoyed viewing Ju Ming's sculptures outside the usual confines of a gallery. The beautiful landscaped spaces of the Singapore Botanic Garden greatly complemented Ju Ming's sculptures from his Taichi Series. Words cannot quite describe the experiences of viewing Ju Ming's sculptures. If forced to find words to describe, in essence, each sculpture is like a poetic form that seems to interact with the surrounding works of Nature.


Ju Ming's Taichi Series, 1996, Bronze.


Go and experience his sculptures in the outdoor spaces of the Singapore Botanic Gardens for yourself. This exhibition is free-of-charge and will continue till 16 Apr 2015.

Members of the public enjoying their recreational activities at the Singapore Botanic Gardens.


For visitors using public transport such as the MRT or buses, enter via the Bukit Timah Gate, or take the MRT train to the Botanic Gardens MRT station.

For visitors who are driving and need parking spaces, enter via the Cluny Park Gate and park your vehicles there.

Updates on 10 Feb 2015: iPRECIATION will be organizing a guided walking tour for the monumental sculptures exhibition at the Bukit Timah Core area, near Eco-lake. For more information, please visit Ju Ming Tachi series Walking Tours.

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For more information, please visit:

Monday, September 12, 2011

Some noteworthy exhibits from the Sculpturing Life exhibition

(This post was posted on Yesterday.sg in 2008. Here is a repost.)

Courtesy of National University of Singapore Museum Collection.


This post can be considered as a sequel to one of my earlier posts titled Remembering Ng Eng Teng. As mentioned in the Remembering Ng Eng Teng, the archival display-cum-exhibition Sculpting Life - Ng Eng Teng Collection is now being held at NUS Museum till 31 December 2008. In this exhibition, the exhibits are being presented under three broad sections: Formative Years, Body / Form / Perspectives and Materials / Processes / Public Works.

There are some exhibits at this exhibition which I personally find to be worthy of notice. While I am neither an art historian nor art-critic by profession, it is hoped that this post would give visitors who are novice to Ng Eng Teng's art some ideas of where they could start exploring if they should visit this exhibition.

Ng Eng Teng, Tension 1972, ciment fondu.
Courtesy of National University of Singapore Museum Collection.


Admittedly, I have been rather influenced by the documentaries that are being shown at the exhibition. After watching them, I was led to realise that Tension, 1972, is a work that has a significant place in Ng Eng Teng's journey to strive to create his own art and yet survive as an artist. Look at the closed-up photo of Tension and one may find that the figurine on this rocker appears as if it would fall any moment. I learnt from the documentaries that this was the effect that Ng Eng Teng was striving to achieve in Tension. As best as I understand, Tension is intended to depict that as one struggles for survival, if one is not careful, one may just slip and fall off.

Putting things into context, Tension was created some years after Ng Eng Teng had returned to Singapore from Ireland. He had worked as a Resident Designer at the Carrigaline Pottery in Ireland from 1964 - 1966. Following his return in 1966, I learnt from one of the documentaries Sculpturing Joo Chiat (1999) that Ng Eng Teng had experienced two years of unemployment. The curriculum of art schools in Singapore back then did not have sculpturing as a core subject for students to study. That meant there was no avenue for Ng Eng Teng to teach the art of sculpture in Singapore back then. In addition, in his early years of establishing himself as an artist in Singapore in the 1960s and early 1970s, it appeared that Ng Eng Teng had met with much challenges and struggles with reality. I remember vaguely the following words that Ng Eng Teng had said in an interview shown in Sculpturing Joo Chiat, "(Tension reminds us of) the importance of keeping oneself sane during hard times". This is one statement that one should be mindful of during difficult moments.


Ng Eng Teng, Tension 1972, ciment fondu.
Courtesy of National University of Singapore Museum Collection.


Interestingly, Tension was constructed based on the balancing principle of the Kelly doll (similar to the Chinese' 'bu dao weng' 不倒翁). Such a doll is designed to regain equilibrium even when it is tilted at extreme angles. The construction based on such a principle allowed this work to move and rock. I learnt that it was the movement of this work that helps to create the desired sense of tension. Look at the muscles and tendons of the body of the figure in this work, they appear contorted and strained, hence accentuating the sense of tension in this work. The spread-eagle pose of the figure also adds a touch of dramatic tension. Admittedly, I did not feel it was appropriate to touch Tension while I was at the exhibition. Nevertheless, I had managed to see a footage on one of the documentaries of how it would respond like if a viewer were to tilt and rock it. I sensed that it would be pretty tensed experience to be clutching a rocking object for the sake of survival.

Compared to some of Ng Eng Teng's larger iconic sculptures, Tension is much smaller, and visitors may unknowingly miss taking a good look at it. The thing is that do not judge the significance of an art-work merely by its size. Look beyond.

Tension, together with other exhibits on display.
Courtesy of National University of Singapore Museum Collection.


Another exhibit in this exhibition that is worthy for viewers to study and take a good look is The Last Masterpiece.

On the right: The Last Masterpiece, undated.
Courtesy of National University of Singapore Museum Collection.


The Last Masterpiece is one of Ng Eng Teng's last works. If I am not wrong, it was completed with the help of Ng Eng Teng's friends and family. Ng Eng Teng was diagnosed with renal problems in 1995 and this condition was kept a secret. It was only made known to others when Ng Eng Teng had undergone a heart bypass surgery in 1998. The Last Masterpiece is largely made up of cotton swabs. These cotton swabs were collected by Ng Eng Teng himself after his renal dialysis treatment. Do take a close look at this work.

The theme of humanity is one of Ng Eng Teng's favourite subject matters. I like his interpretation of human emotions. Somehow, his works seem to speak with a soul. Look at the work below, Do we look down?. Do you feel as if the figures moved you so much that you wish to offer them a coin or two?


Ng Eng Teng, Do we look down?, 1968, ciment fondu, paint, lacquer.
Courtesy of National University of Singapore Museum Collection.


Personally, I think Ng Eng Teng had been a very resilient man with a very strong yet humble character. Despite being plagued by poor health, he remained dedicated to his goals of creating his own art. Adversities did not stop him. Even though he was already very weak when he was working on one of his last commissioned works, The Explorer, he persisted to complete it with the help of his family and friends. I learnt from one of the documentaries that despite his ailing state of health, Ng Eng Teng insisted on doing the finishing touches of The Explorer. The Explorer is placed outside the Singapore Art Museum for all to view.

Sculpturing Life - Ng Eng Teng Collection is held at NUS Museum, located at the University Cultural Centre Annex, 50 Kent Ridge Crescent, National University of Singapore, Singapore 119279. The NUS Museum is closed on Mondays and Public Holidays. For more information on the museum's opening hours and on the guided tours, please visit: http://www.nus.edu.sg/museum/information_getting.htm


***
Acknowledgements:
Once again, my heartfelt appreciation to NUS Museum, NUS Centre for the Arts for granting me the permission to take non-flash photography of this exhibition.

Many thanks to Siva for introducing me to staff of NUS Museum.

Thank you to the staff of
NUS Museum, NUS Centre for the Arts for arranging for the insightful guided tour to the exhibition on 2 Aug 2008 and for making my visits to the museum enjoyable and educational.

References:
- MediaCorp News. (1999). Sculpturing Joo Chiat. (video)

- MediaCorp News. (2003). Portraits (Episode 6: Ng Eng Teng). (video)

- Sabapathy, T.L. (1998). Ng Eng Teng, art and thoughts. Singapore: NUS Museums, National University of Singapore.

- Singapore Broadcasting Corporation. (1977). Profile of an artist - Ng Eng Teng. Sculptor.

- http://en.wikipedia.org/wiki/Ng_Eng_Teng (Accessed on 9 Aug 2008). (video)

Remembering Ng Eng Teng

(This was previously posted on Yesterday.sg in the year 2008. Here's a repost.)

Above: Ng Eng Teng, Wealth, 1974.
Courtesy of National University of Singapore Museum Collection.


Some local readers who are my contemporaries or who are older may remember seeing this very sculpture Wealth, together with another sculpture Contentment, at the previous Plaza Singapura building in the 1980s. In those days, Plaza Singapura was one of the fairly popular shopping malls to shop in and to visit. It was rather hard to miss these two sculptures given their fairly imposing size. At the very least, when I was speaking to one of my contemporaries about these two sculptures, she could remember seeing these two sculptures when she was young.

These two iconic sculptures are now located just outside the University Cultural Centre, National University of Singapore, Kent Ridge campus. Frankly speaking, I prefer the current location of Wealth and Contentment compared to the original location at the previous Plaza Singapura building. Somehow, the sculptures looked less scary and more approachable when placed outdoors.

Most of the local friends whom I have spoken to have actually seen at least one of Ng Eng Teng's sculptures at some point in their lives. Who was Ng Eng Teng?

Ng Eng Teng (1934 - 2001) was a local artist who was probably best known for his sculptural works. I later learnt that his training was in painting and pottery. In recognition of his excellent artistic achievements, he was awarded the Cultural Medallion in 1981.

I remember that during the Art History lessons in my Secondary School years, I learnt that the pioneer artist, Georgette Chen, had some influence on Ng Eng Teng. At the very least, it was through her encouragement that Ng Eng Teng headed to England to pursue the study of ceramics. Perhaps his study of ceramics could have helped him to build the necessary foundation to create many three-dimensional masterpieces throughout his career as an artist. He was one of the very few sculptors that I have studied during Art History lessons. As such, whenever anyone asks me to name a local sculptor, Ng Eng Teng would be one of the first names that would come to my mind.

Other than Wealth and Contentment, Ng Eng Teng had created the following sculptural works that most people in Singapore would have probably come across at some point in their lives:

Ng Eng Teng, Mother and Child.
Location: Orchard Rd outside Far East Shopping Centre.
Photo taken by Jeremy in 2007.


Ng Eng Teng, The Climb, 1987, ciment fondu.
Location: HDB Hub, Toa Payoh.



Ng Eng Teng, Spirit of Man, 1984.
Location: Changi International Airport, Terminal One.


Ng Eng Teng, The Explorer, Dec 1999, ciment fondu, stainless steel, gold leaf.
Location: Singapore Art Museum.


For those of you who are interested to learn more about Ng Eng Teng, there are a couple of publications that would provide indepth information on this artist. Here is a link to a list of these publications: http://nus.edu.sg/museum/publications.htm#net

I have a liking for a number of Ng Eng Teng's works. Somehow, his works felt as if they could speak to the viewers, and communicate various emotions. I fondly remember that I used to frequent the Ng Eng Teng's museum almost everyday when it was located at the National University of Singapore's Central Library.

Driven by a search for nostalgia and a general interest in his art, I could not help but visit the NUS Museum for a couple of times over the past few months so as to check out the latest exhibition, Sculpturing Life, featuring some of Ng Eng Teng's works.


Foreground: Ng Eng Teng, Tension 1972, ciment fondu.
Courtesy of National University of Singapore Museum Collection.


I very much like the fact that in this exhibition, there are archival materials on Ng Eng Teng on display. I strongly recommend this exhibition to art students and anyone who is keen to research on the art of Ng Eng Teng. This exhibition puts on display a number of copies of the sketches that Ng Eng Teng had done prior to working on his actual works. Through looking at these sketches, one could better appreciate the thinking processes that Ng Eng Teng had went through before deriving at the final form of his works. Interestingly, I learnt from this exhibition that the Contentment was inspired by a yoga pose.


The maquettes of Contentment and Wealth.
Courtesy of National University of Singapore Museum Collection.


Ng Eng Teng, Contentment.
Courtesy of National University of Singapore Museum Collection.


Other than the sketches, there are also copies of old newspaper articles on the sculpture scene in Singapore, and on Ng Eng Teng himself. There is even a multimedia corner whereby visitors could take time to watch a few documentaries on Ng Eng Teng. The duration of these documentaries vary from 20 minutes to about an hour. It is worth putting aside at least two hours to view these documentaries.


Copies of newspaper articles and Ng Eng Teng's sketches.
Courtesy of National University of Singapore Museum Collection.



I am pleased to share that I have managed to watch almost all the documentaries on display. These documentaries contain footages of interviews with Ng Eng Teng himself, and offer viewers a window to better understand the artist, Ng Eng Teng. When I was watching certain segments of the documentaries, I had felt as if Ng Eng Teng himself was speaking to me. After watching the documentaries, I felt a deepened sense of respect towards Ng Eng Teng for his strong dedication towards his art, his humility, his sense of compassion towards humanity and his resilience.


Documentaries on Ng Eng Teng that are worth watching.
Courtesy of National University of Singapore Museum Collection.


This is an exhibition worth a visit. There is so much to learn at the exhibition that I have visited it at least four times this year. I was lucky that when I visited the exhibition on 2 Aug 2008, there was a guided tour to this exhibition. Attending the guided tour has helped me gain a deeper appreciation to the artworks on display. Many thanks to the dedicated museum guide who had given me the insightful tour.

Sculpturing Life - Ng Eng Teng Collection is held at NUS Museum, from 11 January – 31 December 2008.

The NUS Museum is located at the University Cultural Centre Annex, 50 Kent Ridge Crescent, National University of Singapore, Singapore 119279. It's closed on Mondays and Public Holidays. For more information on the museum's opening hours and on the guided tours, please visit: http://www.nus.edu.sg/museum/information_getting.htm

****
Acknowledgements:
My heartfelt appreciation to NUS Museum, NUS Centre for the Arts for granting me the permission to take non-flash photography of this exhibition.

Many thanks to Siva for introducing me to staff of NUS Museum.

Thank you to the staff of NUS Museum, NUS Centre for the Arts for arranging for the insightful guided tour to the exhibition and for making my visits to the museum enjoyable and educational.

Reference:
Sabapathy, T.L. (1998). Ng Eng Teng, art and thoughts. Singapore: NUS Museums, National University of Singapore.

Saturday, March 17, 2007

Wealth and Contentment just outside the University Cultural Centre

Wealth, Ng Eng Teng, 1974, Ciment Fondue.


This is to supplement the earlier post titled NUS Museum: The works of Ng Eng Teng.

I personally think that although Wealth and Contentment were not commissioned for the University Cultural Centre, these two sculptures look quite blissful (and not frightening) against the lush green grounds just outside the University Cultural Centre.

My only complaint is that the sculptures do not seem to be prominent to most visitors who happen to be passing by the University Cultural Centre on a bus or vehicle. Some visitors of the centre may just miss Wealth and Contentment unless they take the time to locate the two large sculptures that are placed just by the side of the main entrance of the centre.



I could only ask that visitors to the NUS Museum take a slight detour to check out these two sculptures. If one is going to the NUS Museum to view Ng Eng Teng's works, I dare say that the experience won't be complete without viewing these two sculptures.

Contentment



For everyone's convenience, here is the address of the NUS Museum:

NUS Museum
University Cultural Centre Annex
50 Kent Ridge Crescent
National University of Singapore
Singapore 119279

Opening Hours
10am to 5pm (Mondays to Saturdays)
Closed on Sundays and Public Holidays

Admission is FREE